TALENT "HAUNT" SHOWS

The current crave for talent hunt shows in Nigeria is really alarming, every cooperate body and individual are all into talent hunt shows. Musicians themselves are even very well involved in organising talent hunt shows. Our local television stations are smiling to the bank judging by the number of talent hunt shows been aired every day across the country, its a good money making sector for the stations and they even shift their news broadcast further back to accommodate the talent hunt show which equally is viewers delight. The idea of the talent shows is to search and empower a newly discovered talented musician. Different methods are devised in selecting the winner by different talent hunt show organiser, but the goal is to discover a real talented individual among the rest and make him/her a superstar. But the question on everybody’s mouth is that are these talent hunt shows really producing real talents? And is it only the TV stations that are making profit from these programmes? And what is in it for the organisers? Modern talent hunt show originated form America and the American idol is the world leading and biggest talent hunt show in the world. It parades a well-experienced panel of judges consisting of Grammy/platinum award artistes, music business mogul and world acclaimed music producers. The programme over the years has produced talented musicians, platinum selling artiste and Grammy award nominees and winners. Jennifer Hudson is a product of American Idol and she has gotten a Grammy nomination and she’s a platinum selling artiste. The European version is the X-factor produced by one of the judges of American Idol Simon Cowell who is a music mogul recently called upon by the British Prime minister to produce a single to raise money for HAITI. X-factor has produced talented British artiste like Alex burke who has turned into international superstar after her exploit in the music talent hunt show.
The origin of Commercial Talent hunt show is Nigeria and the number of talent hunt show on TV makes you wonder how profitable this shows are to the organisers, and how profitable the shows are to the young boys and girls that scramble to appear on the shows. The real intention is to help and promote poor talented individuals by getting them a good record deal and rewarding them with monetary incentives to improved their social status and improve their standard of leaving so as not to waste their God given talents. The gain of the organisers I believe is in the record deal they sign with the artiste, which should be fees for promoting the artiste as it is done in other record label world wide. But the Nigeria factor has turned talent hunt show the other way round. The primary subject of the programme is the fee obtained from selling of forms to intending new stars, thousands of forms are sold across the country bringing in a very good figure and all what the intending superstars get in return is few seconds in front of the unqualified judges. The initial talent hunt show in Nigeria produced KCPRESH who until now are still struggling in the musical scene though they are said to be wealthy without selling high number of Cds. The duo are not in the music mainstream musically and what do you expect of the outcome of a group that were signed by the recording label owned by two of the panel of judges that screened them. The MTN project fame is the best-organised talent hunt show across the Continent and it is also a very profit-making avenue for the telecom giant, they make loads of money through viewer’s text messages which is the only medium 150million Nigerians can participate on the show. The products of the programme has not been too impressive with Omawunmi in slight exemption, other past winners are not visible musically though the telecom company is trying to keep them close in there various social events they are just not musically ready. The first flaw in talent hunt show in Nigeria is the money-oriented status of the shows, majority of the multinational companies and artiste engage in the programme to extort intending fame seekers who part with the all they have to obtain forms to participate in the show, telecom companies are partnered to extort the viewers in form of text messages sent to participate in the show and other companies fall over each other to get advert slot on the shows that is aired all across the country and even seen in close neighbouring countries. The biggest insult is given to the fame seekers by the composition of judges on the programme, and some of these intending judges are far better in music than the judges. All talent hunt show organisers commercialised the programme to the aspect of the judge’s compilation. The MTN project fame is the biggest and is sure to pay the judges more than other mushroom talent shows. The composition of these panel is commercially oriented and this explain why Joke Silva and Kwame who both are not relevant in music world, though the latter used to be a disc jockey it still does not allow him to judge a good entertainer. I am not familiar with the other woman, but I think Ty mix is the only right person on the board. I was also surprised when I saw Dede Mabiaku on board of judges of West African idol and I wondered is he a musician? This is someone that cannot release an instrumental single not to talk of a song since the death of his mentor over a decade ago. Should Dede be evaluating an artiste when he himself needs evaluation. Another talent hunt show organised by a certain Niger Delta artiste bankrolled by Delta state government is another show of shame and extortion. How can comedians like Bovi and others be judges to evaluate young talents? . Nollywood artiste are now judging musicians, people that will sent out of their churches if they intend to lead praises are now world acclaimed music scouts. Artiste like Olu Maintain, Konga, Durella, Rugged man, and so many lucky artistes we have now would never have made it if they had gone to such talent shows. There is no single product of Talent hunt show that has surpassed the fame and talent of self discovered Terry G, opportunist like Dede and others would have discouraged him. Many of our artistes enjoy good airplay time on radio stations due to what they have to give the disc jockeys on duty and thus they force their non-melodious music on us, music videos are been shot all over the world with the best equipment you can think of but our artiste are just riding on the economy crunch to impose their slang and revolutionary song on our youth. The likes of Sunny Ade and Obey got their music lessons from those they met in the scene and it applies to Orlando Owoh, Shina Peters and other legends in Nigeria music scene. Majority of the artiste we have now are using their financial power to gain popularity their pairs and listeners. Majority of them will never see fame if they were judged by well experienced panel of judges, or imagine can one of the best of Nigerian Musician compete with greenhorns on X-factor or American Idol. Am sure an artiste like Tony Tetuila or Konga will never make it past the auditioning stage. Or do you believe a serious music scout will invest in Olu Maintain’s singing style? . At least Omawunmi had to go out with a music scout/producer to attain little stardom after been a runner in African largest regional talent hunt. We cannot produce a single music star if the same mentality is implored in talent hunt shows, the idea of making money from contestants rather than carefully and professionally scouting for genuine talented individuals will further destroy the music scene and will greatly discourage the intending stars. Nothing good can come from talent hunt shows that parade the likes of Dede, Julius Agu, RMD, Stella Damasus, Saint Obi, Joke Silva, Jide kosoko and host of Nollywood actors. The regulators of programmes shown on TV and those that sanctions programmes that are deceptive to viewers should intervene and save the innocent contestants ripped off by these misleading talent hunters. Stop insulting intending stars and stop toying with their career by laughing, drinking and mocking behind the high table of inexperience you people sit on in the mushroom talent shows across the country.

PROUDLY NAIJA

Music industry in Nigeria kicked off on a very discouraging note, but has recently witnessed its best years. Last decade has been a very profiting one for Nigerian artiste, their talents and hard work were rewarded with good financial rewards. Musicians are now well paid for shows and are getting good deals from marketers and record labels. Our artistes are internationally recognized and they are the toast of the continent. Nigeria musicians dominate award recipients in various music awards organized in Africa and outside Africa. The hard work of home based musicians has paved the way for foreign based to be easily re-admitted into our local scene. The success and general acceptance of Nigerian based musicians prompted the exodus of young artiste in Diaspora into the country. Artistes like 2face Idibia, Olu maintain, Terry G, Biggiano, Ajasa, 9ice, Eldee and several other artiste made the Music industry easy for foreign based artiste like Dbanj, Banky W, Source Kid, Naeto c, Asa, Ikechukwu and several returnee to penetrate. The returnee artiste never went through the pain of walking round Lagos state looking for marketers like their home based counterpart did. They never had the problem of looking for sponsors to back their videos like 9ice had to use his WASC money to shoot his first video “little money”. Most of the returnee artistes are well backed up with lots of cash, they are either supported by their rich family of promoted by rich record labels which they own or owned by a fellow foreign returnee label owners like them. The influx of foreign based Nigerian musicians is on the rise as it is a fact that a Nigerian can only succeed as an artiste at home and nowhere else. The returnee artistes brought a new concept into the scene. Musician now gain recognition by flaunting their wealth, you need to live big to attract big deals. Big and sophisticated cars is the order of the day, our artistes can compete toe to toe with foreign artiste when it comes to cars, blings(very expensive diamond jewelries),and are fast catching up in the aspect of accommodation. A lucrative endorsement deal is every artistes goal in the entertainment, and they come with a very fat pay package. The foreign based or returnee artistes are the ones smiling to the bank with proceeds from such deals. The multinational companies and entertainment companies that present these deals are more comfortable working with the returnee artistes compared to the home made ones. Artiste like Terry G, Dagrin ,Cleva J, Ajasa, Essence rarely feature in any company’s brand endorsement compared to likes of Dbanj, Banky W, Naeto C and others.
Some home grown artiste has caved niche for themselves and can compete very strongly with artiste returning from wherever or based anywhere in the world. Artiste like Psquare, 2face, Face, Wande Coal,9ice have shown us that if you do good music anywhere in the world you would be heard worldwide. These artistes have used their local talent and content to gain international fame, they are the big and the authentic players in the growth of the music industry that the so called returnees are taking advantage of. The returnee artiste on their on part gave Nigerian music industry the anticipated good production and they geared up the home made artiste to raise their standard. The returnee artiste brought about the improvement in recorded music and they change the face of music videos in Nigeria. The music video shot in Nigeria are now international standard and they are aired all over the world in various media houses. The returnee artistes have made significant impact in the music scene, they have set a very high standard for home artiste and newcomers to try and attain. These standards have positively changed the reception and acceptance of locally made music. A disc jockey can entertain an audience for several hours without playing a foreign song, this can be attested to if you pay a visit to clubs in and around Lagos where our artiste’s songs are rendered all through the night. In a nut shell lets say both returnee and home made artiste are both major players in the increasing growth of the music scene. But we give special preference to the home made boys that suffered in the Lagos sun looking for record deals and all those that sold their possessions to shot music videos, to you all, you are the true hero’s of Nigerian music.
The bothering issue now is the recent hostility shown our home made artiste by these returnee artistes. I listened to some tracts by certain artiste questioning the mode of dressing and originality of the jewelries worn by home made artistes. Terry G’s claim as the “king of swag” and Mr bling bling has been queried by Source kid who labeled Terry G as faker and debunked his claims as king of swag. Another artiste in his track said Terry G dresses like a rainbow and says rubbish. I wonder if Terry G is more colourful than the world cherished soulja boy and lil Wayne, and those that said he says rubbish are still fans of Busta Rhymes, lil Wayne , Gucci mane whose lyrics are nothing better than Terry G’s. Wande coal has been called a Malu by another returnee artiste who maybe felt is been dwarfed by the home boys success in the music world. I guess if u physical attribute Wande coal to Malu then what are you going to call our idols Biggie and Fat Joe. I guess it’s more of jealousy or envy rather than principle. The Terry G’s , 9ICE ,Ajasa and other home made artistes are the foundation of the vibrant music industry, they should be given their due respect and not be rebelled against by the bunch of rich kid artiste who came into music for popularity. A recent celebrity basket ball event in Abuja sponsored by a leading distillery company was meant to feature musicians from across the country, but the attendance showed that we have A-list and fringe artiste. The street knows what it wants and we the audience will always give kudos to the boys that came from the streets of Iju Agege, Okoko, Mile 2, Ajegunle and other sub-urb to rock our radios and parties in Lekki, Aja, Vi, Ikoyi. Without you nobody will be here

OVATION RED XMAS CAROL

The celebrity studded ovation xmas carol was a good idea and a beautiful way Ovation is showcasing this year Ovation red and xmas carol rendition to be staged in Lagos sometimes this month. The song paraded the big weights in nollywood and the music industry, the producers claimed he worked with 100 celebrities but ended up shooting the video with as much as 30 celebrities. Majority of the invited stars could not wait for the video shoot due to various engagements they have to attend. The carol couldn’t have been better with likes of Wande Cole and Omawunmi leading the song and if I should grade it will score 60% .The song is enjoying massive air play on radio and TV, it’s the toast of all disc and video jockey this yuletide time.
The songs production, theme and message are aspect that the initiators of the song scored low, the songs theme is not clear, is it a Xmas carol or Ovation red Xmas carol party theme song? Ovation is mentioned more in the song than Christ, Xmas, Jesus and other Xmas songs attributes. Also haven listened to song on several occasions, I still can’t hear all what Wande Coal said in the song, I can’t understand most of the words in his lyrics and I don’t just know why he is speaking through his nose. The producers of this song should be aware that if it’s going to be a hit like the Skye banks “say yes” jingles it has to be graphically interpreted in form on text words running vertically across the screen so that we can all read and sing along. The other issue is why did they have all those A list celebrities on the big stage just dancing and singing the chorus instead of handing them all a part in the song. I would have loved to see few of my favorite artiste and nollywood stars singing together, imagine Terry G and Dare Alade sharing the mic. This is my expectation, artiste of different wavelengths streaming in a singular frequency. The artiste that got the top roles in the song are all not my favorites though I have mad love for omawunmi and Coal, I don’t know the other girl and I believe artiste like Terry G, Obesere and Dagrin should be featured in the song. I guess the producers were in a hurry to bring out the song and never had time to plan. Another Nigerian factor

99.9% REAL BEAT

Am an unrepentant fan of Rhythm 93.7 fm, I love everything about the sea side station, am a fan of silver group in general but the attraction came from the way rhythm 93.7fm changed the Nigerian music scene and increased the population that listen to Radio. Due respect to the then OGBC 2 fm in Abeokuta.This station now known as Gateway Radio was home for Kenny Ogungbe, JAJ “the Meccadon” or can, and host of other A list presenters in the 90s.Raypower rode on the back of OGBC and showed how private sector can run media house properly. Its emergency was the end of OGBC 2 and the birth of independent radio stations. Radio stations springs up nowadays like petrol stations which is fast becoming the only tourist attraction in and around Lagos. There are up to 50 government and privately owned radio stations in South-west Nigeria and there are up to 20 stations competing in Lagos and its neighbours; Abeokuta, Ibadan. The very wide coverage of these stations has made them the advertiser’s choice and they make more money in adverts than any other thing they do. The increase in adverts has turned most of these stations into public announcement medium, you hear more advert than songs nowadays, and this has been the same problem with all the existing fm radio stations in and around Lagos. The sudden emergence on BEAT 99.9fm is like the re-birth or the peak of modern Radio presentation. The BEAT 99.9fm probably learnt from everybody and took some lessons from foreign radio stations to launch a very interactive and highly infotainment Radio station. It is now the best station I ever listened to in Nigeria, probably its still new and the adverts are not flowing heavily yet. The BEAT 99.9fm combined good radio presentation; news and local/foreign music are well mixed. Each programme is accompanied by entertainment and social news that keeps you abreast with the global entertainment world. There News section is professionally presented that it still blends with the current programme on air. The Beat 99.9fm is the only station that keeps me lively from morning till evening, I leave my radio on even when am asleep. The powers behind 99.9fm should learn from their sister stations shortfall and try to maintain its very high standard. THE station blends all genre of song and you will never feel bored listening to the BEAT 99.9fm.Lets see how loud this BEAT will sound, but I thing it will never stop. Let the BEAT play on.

SENSE ON BOARD

Entertainment industry has witnessed a significant growth since Nigeria joined the world democratic league. Since the return to civilian rule, entertainment industry has attained a its original status as it is all over the world, artistes, print and audio media, entertainment industries, recording labels, radio stations and others have all seen financial success since THE khaki boys left. I guess we all know the reason for this success. Musicians can say what ever they want in the songs, and film producers can act any script they desire without fear. Contents of works produced by musicians and scripts of films are all subjects of screening by a body set up to regulate and pass fit for public viewing works done by artistes and producers. The body that screen what we see on TV has always looked like a body that never sit to view works of artiste, they just sit at home and decide to ban what they and there family don’t like. The Film and music census board or what are they called is an organization that should be scrapped and replaced by professionals. It is shocking how most of the films get to pass their screenings and music videos fail. The biggest shock off all is that cable companies like HiTV and DSTV are above their law. Local stations are barred from viewing certain music videos and same programme that runs on a cable company platform shows such music video to our admiration.
Am not against the content of our musical videos and films, but my displeasure is in the injustice done in stopping some music videos and films from been aired while some enjoy airtime, foreign music videos have no restriction unlike the locally produced ones. I am a frequently viewer of music programmes both on terrestrial and cable platform, and I have a very good knowledge of our local contents and that of foreign product. Terry G is one of the best young producer/singer and his well loved for his energetic dance performances on the stage and in music videos. His private life may not be that of a good youth ambassador but what he gave to music and his raise from Iju streets to stardom is a good example for youths to emulate. Majority of the older folks may see him as a bad influence to their wards due to his fashion sense and his energetic dance which are seen to be done under certain influence. We of the new school are very aware that Terry G is still morally better than the world celebrated stars like Lil Wayne, T.I, Fabulous and host of other foreign artiste who frequent the jail due to gun running, assault charges, and other misdemeanors. The new video of Terry G “free madness” which was released recently has been taking off the air due to certain reason that also caused Dbanj’s “Suddenly” and Tuface’s “enter the place” to be judged dangerous to viewers. The listed videos still enjoy air play on cable networks though the local stations are not permitted to air and it is also been well enjoyed by Nigerians in Diaspora. MTV still air these music videos all over Europe, America and Africa. I have watched this videos several and I still wonder why is they were been censored, “free madness” video has neither sexual content nor violent content. It was based on Terry G’s showcasing his barbaric dance steps which is in vogue, he brought his hood Iju to limelight by adorning its name in the background. Terry G never smoked in music video like Fela did, he was lyrical cleaner than King Sunny Ade when it comes to love songs, and sexual content is ZERO compared to beyouce’s last three videos which were sexually choreographed by her and her two very sexy dancers. The band might have got the booth due to the sexual content of the video, but is it as bad as the Fifty cent and Ciara’s duet? The two mentioned foreign music videos made it to no.1 on video chats across the local TV’s while there Nigerian counterparts got censored ,taken of the local scene completely, but they watch it on cable networks. The Tuface’s “enter the place” video was a masterpiece and it was the best video from the internationally know singer. The quality and the set were perfect and the cast was star studded, I didn’t see anything bad in the video if I have to compare it to majority of the foreign videos and some local ones. I have seen sexual stimulation at its highest and violence in its peak in most of the foreign videos on air. The Terry G’s video censor is more personal than the ethical reason or moral reason that will be given. There’s nothing wrong in showing your talent in whatever way or form you could, it might look extraordinary to others but it’s a gift to you from the creator. The sweat of these young artistes should not be wasted by few partial people who are not aware of recent development in the world, qualified and dedicated people should be allowed to handle the censor board. The creativity of these artistes should be encourage and not discouraged. Personality should not be an issue in judging the videos and let’s not introduce Sharia law. Please we need more sense on censor board.

COCKMENTRY

The recently concluded FIFA U-17 world club that took place in Nigeria was a big success judging by Nigerian standard and probably fair in the books of FIFA and foreign observers and journalist. The TV coverage was something that really amused me and I was very happy that we could local broadcast the competition to the entire country and indeed the world perfectly and with very clear signal. Though the broadcast rights generated a lot of controversy between NTA, DAAR communication and BON/OSMI .Daar communication was quick to let us know that it actually secured FIFA’s nod to broadcast the matches played in 5 centers on behalf of FIFA to the world, while NTA/BON/OSMI only secured the rights to beam it to Nigerians only. Daar’s broadcast of the competition shows that we are locally ready to showcase matches played in our league to our TV regularly and we can feed any foreign nation with signals from various stadiums across the country. The broadcast was flawless and I give kudos to DAAR communication that took it upon itself privately without government intervention to shoulder the broadcast responsibility, though the FG’s last minute intervention of upgrading NTA’s equipment from standard to High definition was another example of our unpreparedness. It actually didn’t materialize because they didn’t make it before the commencement of the competition. The matches were exclusively and comprehensively broadcasted all across the nation through BON/OSMI where the former is the association comprising of every TV station in the country including AIT which is an affiliate of DAAR communication. The difference between the matches showed on AIT and other BON/OSMI affiliated station is the commentary. Over the years, commentary of football matches involving Nigeria’s national teams on local TV were done by a prominent Nigerian who has over the years been the voice of football matches commentary. This commentator/s are affiliated to NTA and with the length of time spent on the job one would have thought they would have mastered the act over the years compared to western commentators or even their South African counterparts. Nigerian’s across the country weekly watch the English Premier League which is one of the best televised league/sport in the world are very familiar with world class match broadcast and reliable commentary. A good soccer fan will agree that you enjoy watching a soccer match with a good commentator anchoring the match. The commentator is like the manual book of a Soccer match, he/she is the guide of the viewers and he/she helps in identifying the players on the pitch and also helps in interpreting several laws and rules that guide the game when situation arises. Commentator’s gives in-depth analysis of teams and supply RELEVANT information to the viewers about the match and other factors related to it. Good commentary entails the commentator to give news of what is happening off screen to viewers who are focused only on the pitch cameras showing the actions on the pitch and also supply developing information from the side line and the fourth official. All this happen behind the camera and viewers can not see this because the cameras a mainly focused on the pitch unless an outside interference causes the cameras to focus elsewhere.

The commentators in the BON/OSMI studios are well know names in football match commentary and they have over the years failed to improved on their beer-palour commentary of matches broadcasted on BON/OSMI affiliated TV stations. Matches shown on AIT network has a foreign commentator and judging by the way he pronounces the names of Nigerian players and other teams one will know they are professionals. The commentators adds more fun to the match by his accurate and very relevant approach and information of the match been played. They accurate pronounce our team list and have a good and RELEVANT knowledge of every single player in the competition. They also have RELEVANT knowledge about history and culture of each host city where matches are played. All these facts are mentioned while matches are going on without deviating from the match itself. Our local commentators full all IRRELEVANCE, they don’t have an idea about other teams and when it comes to matches about Nigeria they discuss the match like a beer-palour setting. They run commentaries like they are been forced and they invite talk about irrelevant issue when the action in the game is not at its peak and quickly switch back to the match ONLY when Nigeria in attacking its opponents or in danger. Issue that does not concern the match are been freely discussed on air with their invited inexperienced co-commentator. An example was match involving an African country whose neighbors geographically are engrossed in a civil war, the commentator was discussing about the political issue of the country in relation with its disputed neighbour while the match was going on. This local commentators raise their voice on if the action is on the part of Nigeria and are completely quiet if its not favouring Nigeria .A match was played before the just concluded CAF champions league match involving Heartland of Nigeria and TP Mazembe, the commentator was actually analyzing the yet to be played CAF champions league match with his fellow co-commentators instead of focusing on the match at hand. Our commentators are killers of football matches and atimes you fall asleep just by listening to them doing damage to the action taking place on pitch. The football terms they use are only found in Nigeria Sports Dictionary, or how do you interpret words like “longish ball”, ”thorough pass” ,”a chester/header”. We did well in area of broadcasting the event to Nigerians and to the world and organization was good compared to what we know Nigeria for, though I have different view about our participation judging by the composition of our team which was rocked by age scandal, but I can still tell that with more hard work we can host any FIFA organized competition at any level ,but we really need to do away with these old commentators who refused to change and train new people to handle this very aspect of football match viewing.

EDO FOR SHOW

I stumbled on a rally staged by the Action Congress in Benin Edo state where the entire PDP elected chairmen and their entire councilors decamped to AC, the entire PDP machinery and chieftains defected to AC. The women leader, youth leaders and personal and official assistants of the former governor were also among the decampees,it was a total exodus of PDP members from the umbrella party to the broom party. I was amazed and shocked when the names and status of the decampees was read out loud by the overzealous moderator in a widely publicized event with a mammoth crowd at the venue. The governor was present and looked like it was his birthday. The new members from PDP looked a bit confused and their followers were there to cheer them up. It was a major blow for the PDP because the event showed that the PDP has lost all his members to AC in Edo state. Edo state used to be a comfortable haven for PDP in the past and opposition parties never really existed in the state. When the new members were called to make speeches on their new status as AC members they had nothing important to say. Judging by the body language and the pointless speeches made by the new member, you do not need an herbalist to tell you this people are in AC to gain the power they lost when Osunbor was kicked out of the government house. Edo has been a stable state since Igbinedion, though he never brought any meaningful development to the state, and the choice of Osunbor was a big mistake because he was never the people’s choice and even PDP party members in the state never supported his anointment by almighty PDP. The point of this article is how long will the smile on the faces of the AC members in Edo and that of the governor last? An example was that given by the former state chairman of PDP who also was among the decampees, in his speech he said they have been oppressed for to long and they needed freedom. Freedom from whom? his party has ruled the state for ten years and he has gain from and I believe his still gain from the PDP led Edo government. Another female chieftain new member who used to be a female PDP leader also said she and the entire Edo women are free from oppression victimization. They all took turn to speak about liberation. The governor danced and jumped through out the occasion and I wonder how long will the dance last. The case of the decamping chairmen and councilors can be understood because most of them are having problem with the state legislative arm and they need to join the AC to escape been suspended or removed. The entire occasion was a show of shame on the part of the Edo PDP and AC. It showed that politicians in Edo are all money seeking hawks. The AC has always been a party the envy and I believe the new members are wiser than the entire AC machinery in Edo. Edo people are watching their state becoming a one party state because of change in government. Why has anybody in the arena failed to see that this PDP decampees are in AC to continue to enjoy the central government they lost through the court verdict that removed PDP from power. Edo people failed to realize that this new members are in the party to continue the political ambition which was thwarted when Osunbor left. Oshiomhole is not a seasoned politicians and I believe he doesn’t know what tune his dancing to today. In what capability does AC in Edo want to admit these new members? How do they want to control the chieftains of PDP currently camouflaging in AC colour. What role will big shots and people who have lived maximally take in the fragile Edo Politics? The AC recently rebuked the PDP for celebrating the movement of some opposition members into PDP in a Northern state; their spokes person tongue lashed the PDP for making merry when the decampees were admitted into the PDP. The show of shame in Edo is the worst have ever seen in recent time. During the welcome speech of the governor, he talked a lot about Godfatherism and he tongue lashed ANENIH and other Godfathers in Edo. His speech was censored by NTA were I was monitoring the show whenever he talked about serving and past PDP stalwart in the Country. Although he never mentioned Anenihs name but he really dealt took him to the cleaners. The governor didn’t lay emphasis on the new members and his speech did not address the new members, he didn’t formally welcome them and he poured all praises on the crowd and working executive of AC in the State. Like the speaker before him Tom Ikimi, the governors praised and pledge his support for the President and federal legislative arm of the federal government. The crowd at the venue didn’t really reflect the large population of the state and it was dominated by PDP innocent members in the state who are as confused as their decamped chieftain whose main change is to survive under the newly Oshiomhole led AC party. At the end of the show, a reporter asked one of the AC Chieftain at the show how the party will fair with the new members without muscle flexing, he smiled and said everybody knows his duty and everybody will do what his elected to do. But those who left their lucrative post in PDP will not settle for sitting on the bench after been in power for 10years.Lets cross our hand and watch the EDO show as it unfolds. The recent resignation of PDP members present in the kitchen cabinet of Oshiomhole is a tip of the ice berg of what to come, as the Oba of Benin is now been dragged into this power brawl blowing across EDO